Traditional Sound of Japan
Nogaku is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. The repertoire is normally limited to a specific set of historical plays. A Noh performance often lasts all day and consists of five Noh plays interspersed with shorter, humorous kyōgen pieces.
While the field of Noh performance is extremely codified with an emphasis on tradition rather than innovation, some performers do compose new plays or revive historical ones that are not a part of the standard repertoire. Works blending Noh with other theatrical traditions have also been produced.
Together with the closely related kyōgen farce, it evolved from various popular, folk and aristocratic art forms, including Dengaku, Shirabyoshi, and Gagaku.
Kan'ami and his son Zeami brought Noh to its present-day form during the Muromachi period under the patronage of the powerful Ashikaga clan. It would later influence other dramatic forms such as Kabuki and Butoh. During the Meiji era, although its governmental patronage was lost, Noh and Kyōgen received official recognition as two of the three national forms of drama.
By tradition, Noh actors and musicians never rehearse for performances together. Instead, each actor, musician, and choral chanter practices his or her fundamental movements, songs, and dances independently or under the tutelage of a senior member of the school. Thus, the tempo of a given performance is not set by any single performer but established by the interactions of all the performers together. In this way, Noh exemplifies the traditional Japanese aesthetic of transience, called by Sen no Rikyu "ichi-go ichi-e". Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
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